Collector’s Brunch, Open Studios and Exhibition Opening

On Friday, December 2nd, 9am-1pm, Legal Art will host a Collectors’ Brunch and Open Studios, featuring resident artists Viking Funeral, Pachi Giustinian, Jiae Hwang, Brookhart Jonquil,  Manny Prieres and TM Sisters. Artists will be present to receive guests and talk about their recent work.

Simultaneously, we will be launching  “Four Minutes, Thirty-Three Seconds” an exhibition by visiting curator Omar Lopez-Chahoud inspired by the 1960’s Fluxus Movement.

In the spirit of the Fluxus tradition, Omar Lopez-Chahoud has invited local and international artists, collaboratives, situationists, and curators to present projects in the form of publications, events, discussions, performances, situations, and other actions. These groups and individuals will activate the space in a way similar to the Happenings of the Fluxus Movement, inspired by an anti-art and anti-consumer enthusiasm.

Participants in this exhibition include: Augurari Editions, Rodolfo Andaur, Hackworth Ashley, Spring Break, Monserrat Rojas Corradi, Cat Dove, Viking Funeral, Andrea Galvani,  Jay Hines, Scott Hug, Karlo Ibarra, Carlos Irijalba, Brookhart Jonquil, Jason Keeling, Kristin Korolowicz, Liz Magic Laser, Nicolas Lobo,  Gean Moreno, Richard Mosse, Ernesto Oroza, Gaston Persico, Manny Prieres, Print and Paste Collective (FAU), Megan Riley, Tom Scicluna, Joaquin Segura, SOMA, Natika Soward, Lara Stein Pardo, Suzanne Stroebe, Third Streaming/Yona Baker, Cecilia Szalkowicz, TM Sisters, Pinar Yolacan and others.

“Four Minutes, Thirty-Three Seconds” revisits the liberated attitude towards the creative process that defines the Fluxus movement. This project coincides with significant exhibitions happening at MOMA, NY; the Grey Art Gallery; NYU and at the Storefront for Art and Architecture, in collaboration with Performa 2011. This leads us to reflect on the similar attitudes between Fluxus actionists and a younger generation of artists as well as the socio-economic context in which these responses arise.

The title of this exhibition makes reference toa piece by composer John Cage, a notable influence on the Fluxus work of Lithuanian-born artist George Maciunas. Maciunas (1931–1978) organized the first Fluxus event in 1961 at the AG Gallery in New York City and the first Fluxus festivals in Europe. The Fluxus art movement in the 1960’s and 1970′s was characterized by a strongly Dadaist attitude, promoting artistic experimentation mixed with social and political activism. Often celebrated anarchistic change, Fluxus members avoided any limiting art theories and spurned pure aesthetic objectives. Their activities resulted in events or situations often called Aktions (works challenging the definition of art) and included performances, guerilla or street theater and concerts of electronic music, many of them similar to what in America were known as Happenings.

A series of panel discussions and performances will take place throughout the day:
-11:00am Ernesto Oroza: “Architecture of Necessity” The panelist talks about how Cubans intervene in architecture out of necessity and everyday survival in Cuba.
-12:00pm Rodolfo Andaur: “Local Reality as Memory Desertification, Contemporary Art in the North of Chile” The Chilean curator talks about the political and geographical impact of art in the North of Chile.
-Performance Shedule TBA